Blog Archives

NEW CLASS IN MAUMELLE

farmlandWell, I’m going to teach an art class again — thought I was finished with that, but guess it’s in my “blood.”  Beginning September 15 (Thursday) from 1:30 – 3:30, I will be teaching a class on how to compose a work of art at the Maumelle Senior Wellness Center in Maumelle.  This is a seven week class, and will include examples, critiques, information, exercises, and perhaps occasional homework.  Students will use their own materials, as well as materials provided by the instructor.  I’ve had many years of experience teaching this subject, both in high school art classes, children’s classes, and adult classes.  A lot of the lessons will be based on the blogs I’ve shared on this site.  Cost is $45, and there is a maximum of eight students so call MSWC as soon as possible, if you want to register  (501- 851-4344).   I’m looking forward to seeing you and sharing my understanding of composition and design principles.

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DRAWING THE HUMAN FIGURE

It’s been a while since I blogged — had a lot going on in my life lately.  Today, I’m merely passing along some information about drawing the human form that I’ve gleaned from books and magazines.  Unfortunately, I have no idea WHAT books and magazines I got these from.  Suffice it to say that my students learned a lot from these charts.  The first one is about the growth of children. You can see from this why babys’ heads and eyes always seem to be so big– they don’t grow as fast as the other parts of the body.  I apologize for the darkness of the example — it was on colored paper!

 Growth chart

This next chart illustrates how the different sections of the body can be seen as basic forms: cylinders, spheres, wedges. It is much easier to draw figures if you think about various parts as simply shapes and forms.

shapes of body

In the future, I probably will not be posting drawing/painting lessons from my classes.  Instead, I will be sharing the artwork I have finished lately, or working on at the present.  I may be hanging up my apron as an art teacher!  At least for the summer!  Happy drawing to all of you!

COLOR THEORY: A COMPOSITION IN ANALOGOUS COLOR SCHEME

ANALOGOUS COLORS

COLORS THAT ARE NEXT TO EACH OTHER ON THE COLOR WHEEL ARE SAID TO BE ANALOGOUS COLORS

The colors featured here are blue-green, green, and yellow-green.  Colors that are next to each other on the color wheel present a very harmonious, related color scheme.  One color needs to be dominant, another as subordinate, and the other should be in between.  Lighter and darker values as well as their neutrals can be used.  The colors you choose can express different moods – for example, colors on the red side of the wheel can express warmth, joy, excitement.  Paintings in which the colors have all been neutralized can suggest a mood of a foggy, misty, or rainy landscape.  In the study below, I chose to use yellow, yellow-orange, and orange as my three analogous colors.  Yellow is dominant, orange is subordinate, and yellow-orange is the intermediate.

As it states on the left — use of analogous colors lead to a “harmonious but potentially boring” color scheme.  As you can see in my example below, it would be much better if another accent color had been used — maybe a bright blue for interest!  Remember, these are just studies — learning how to use different color schemes — don’t be tied down to them!

analogous barn

THE IMPORTANCE OF ART ORGANIZATIONS II

Other art organizations available to Arkansas artists in the central region include the Arkansas League of Artists (ALA)and the Conway League of Artists (CLA).

The web site for the ALA is  http://www.arkansasleagueofartists.org.  The Mission Statement on the web site reads:  “The Arkansas League of Artists is an organization formed to promote fine arts in Arkansas. The League is a growing membership of artists and art enthusiasts who gather to learn from one another by exploring new techniques, working in new mediums and sharing their collective knowledge.”  The group meets the last Tuesday of each month except for December at 7:00 PM at the North Little Rock Community Center.  Programs include demonstrations and lectures, and each member may bring  an original art work to the meetings to be voted on by those attending.  Each winning piece is displayed for a month at local banks as “The Artist of the Month.”  In addition, several exhibitions are hosted throughout the year.  The 5th Annual Juried ALAart show is scheduled for September 12th – December 27th at the Butler Center for Arkansas Studies in the Arkansas Studies Institute.  The organization also awards scholarships to high school students and to the Arkansas Arts Center Museum School.

The Conway League of Artists meets at either the Faulkner County Library in Conway, or  the Art on the Green (a local art gallery and studio) the 2nd Wednesday of each month at 7 PM.  On the web site at http://www.conwayleagueofartists.org, it is stated that the “Conway League of Artists is about creating visual art. We’re artists of all types: students, teachers, professionals, hobby painters and creatives who just want to learn and talk about art.  We have painters, sculptors, potters, photographers, and illustrators…  and a wide variety of media.”  There are several exhibits held in Conway areas yearly and ongoing displays at banks, the library, and other Conway businesses.  The meetings include demonstrations, information, and member voting for the “Art of the Month”.

All four of these Arkansas art organizations are active, involved, and inclusive.   Dues range from $20 to $30, and are well worth the price for the degree of encouragement, inspiration, and education derived from membership.  If you’re not already a member of one of these groups,  think about joining — membership will  greatly enhance your creativity and confidence.

 

THE IMPORTANCE OF ART ORGANIZATIONS

The making of art is a solitary profession.  It’s not like teaching, where you try to impart the  love of learning in impressionable young minds, or working for a company as  manager, supervisor, or general flunky.  No, you work alone at a table or easel, placing on canvas or paper what is in your mind, your heart, and your soul. Conversation gets in the way of the creative process.  So it’s only natural that an artist sometimes craves the presence of other artists for comradeship, inspiration, and/or advice.  We take workshops, attend weekly groups, and join art organizations.

Art organizations serve to support a particular medium or theme and furnish information, exhibit opportunities, and friendship to its members.  I belong to every art organization possible: Mid-Southern Watercolorists (Signature membership), the Arkansas League of Artists (Signature membership), the Arkansas Pastel Society (charter member), the Conway League of Artists, and the Pastel Society of the Southwest in Texas (Signature membership) and the Colored Pencil Society of America.  If there was a colored pencil society in Arkansas, I would be a member of that group as well!  I’ll give you a short overview of each of these Arkansas organizations.

Mid-Southern Watercolorists was organized in 1970 by five Arkansas artists who desired to educate the public about the values of watercolor.  Meetings are held on the third Wednesday of every month at 7 PM at the Arkansas Arts Center except during the summer months. An educational program follows a brief business session.   Several exhibition opportunities are held during the year as well as workshops and demonstrations that increase expertise in the medium.  Members hail from Texas, Tennessee, Minnesota, Louisiana, Florida, Oklahoma,  Arizona, and Mississippi as well as from Arkansas.  The organization holds one juried membership show and a juried open show each year with major awards.  I am currently the Regional Advisor for the Pulaski County area. 

The Arkansas Pastel Society meets on the first Tuesday of each month (except January, February, and July) at 6 PM in the Education Building of St. Vincent’s Infirmary.  It was founded in 2004 by a group of pastel artists who saw the need for a regional society to promote pastels as a medium and as a means of networking with other pastel artists.  APS is a member of the International Association of Pastel Societies whose objective is “to celebrate worldwide the expanding presence of dry pastel as a major fine art painting medium,” and to “provide a strong voice for pastel artists and the luminous medium of pastel” (from the APS website). Scholarships are granted to deserving art students, demonstrations and workshops are held periodically, and a National Exhibition as well as member exhibits are held yearly.

(Discussion to be continued on the next post).